The Transformation of Vernacular Expression in Early Modern Arts
Biographical note
Joost Keizer, Ph.D. (2008) in Art History, Universiteit Leiden, is Assistant Professor of Art History at Yale University. Before going to Yale, he was Mellon Postdoctoral Fellow and Lecturer at Columbia University, 2008-2010. His research focuses on Italian Renaissance Art, from 1300 to 1550. He recently completed his first book, Michelangelo and the Politics of History (forthcoming).
Todd M. Richardson, Ph.D. (2007) in Art History, Universiteit Leiden, is Assistant Professor of Art History at the University of Memphis. He is the author of Pieter Bruegel the Elder: Art Discourse in the Sixteenth-Century Netherlands (2011) and co-editor of Image and Imagination of the Religious Self in Late Medievel and Early Modern Europe (2008).
Todd M. Richardson, Ph.D. (2007) in Art History, Universiteit Leiden, is Assistant Professor of Art History at the University of Memphis. He is the author of Pieter Bruegel the Elder: Art Discourse in the Sixteenth-Century Netherlands (2011) and co-editor of Image and Imagination of the Religious Self in Late Medievel and Early Modern Europe (2008).
Readership
All those interested in the history early modern art, architecture and literature, the vernacular, as well as historians of English, Flemish, Dutch, and Italian language and culture.
Table of contents
Introduction: The Place of the Vernacular in Early Modern Culture
JOOST KEIZER and TODD M. RICHARDSON
I. INTERSECTIONS
Petrarch’s Italy, Sovereign Poetry and the Hand of Simone Martini
C. JEAN CAMPBELL
‘Salve Maria Gods Moeder Ghepresen.’ The Salve Regina and the Vernacular in the Art of Hans Memling, Anthonis de Roovere, and Jacab Obrecht
JESSEICA E. BUSKIRK
Going Local: Three Sixteenth-Century Florentine Views on Donatello’s St. George
LEX HERMANS
As Many Lands, As Many Customs: Vernacular Self-Awareness Among the Netherlandish Rhetoricians
BART RAMAKERS
Frans Hals and the Vernacular
DAVID A. LEVINE
II. METHOD
The Hybrid Text: Transformation of the Vernacular in Beware the Cat
TRUDY KO
Local Terrains: Imaging the Vernacular Landscape in Sixteenth-Century Antwerp
ALEXANDRA ONUF
III. IDENTITIES
Als ich can: How Jan van Eyck Extended the Vernacular from Dutch Poetry to Oil Painting
JAMIE L. SMITH
Pictorial Babel: Inventing the Flemish Visual Vernacular
JAMES J. BLOOM
Visualizing Vitruvius: Stylistic Pluralism in Serlio’s Sixth Book on Architecture?
EELCO NAGELSMIT
Exotic Imitation and Local Cultivation: A Study on the Art Form of Dutch Delftware Between 1640 and 1720
JING SUN
BIBLIOGRAPHY
INDEX NOMINUM
JOOST KEIZER and TODD M. RICHARDSON
I. INTERSECTIONS
Petrarch’s Italy, Sovereign Poetry and the Hand of Simone Martini
C. JEAN CAMPBELL
‘Salve Maria Gods Moeder Ghepresen.’ The Salve Regina and the Vernacular in the Art of Hans Memling, Anthonis de Roovere, and Jacab Obrecht
JESSEICA E. BUSKIRK
Going Local: Three Sixteenth-Century Florentine Views on Donatello’s St. George
LEX HERMANS
As Many Lands, As Many Customs: Vernacular Self-Awareness Among the Netherlandish Rhetoricians
BART RAMAKERS
Frans Hals and the Vernacular
DAVID A. LEVINE
II. METHOD
The Hybrid Text: Transformation of the Vernacular in Beware the Cat
TRUDY KO
Local Terrains: Imaging the Vernacular Landscape in Sixteenth-Century Antwerp
ALEXANDRA ONUF
III. IDENTITIES
Als ich can: How Jan van Eyck Extended the Vernacular from Dutch Poetry to Oil Painting
JAMIE L. SMITH
Pictorial Babel: Inventing the Flemish Visual Vernacular
JAMES J. BLOOM
Visualizing Vitruvius: Stylistic Pluralism in Serlio’s Sixth Book on Architecture?
EELCO NAGELSMIT
Exotic Imitation and Local Cultivation: A Study on the Art Form of Dutch Delftware Between 1640 and 1720
JING SUN
BIBLIOGRAPHY
INDEX NOMINUM
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