The Traditional Indian Theory and Practice of Music and Dance
Readership
specialists and students of Sanskritology, Indology, Oriental Studies and Asia.
Reviews
'...an important contribution to studies in Indian musicology...'
Allyn Miner, Book Reviews - South Asia, 1994.
Allyn Miner, Book Reviews - South Asia, 1994.
Table of contents
Jonathan Katz, 'Introduction: Śāstra, prayoga and sanngīta.'
Harold Powers, 'Reinterpretations of tradition in Hindustani music: Omkarnath Thakur contra Vishnu Narayan Bhatkhande.'
Richard Widdess, 'Reflections on a medieval melody: theory, practice and notation in early Indian musicological texts.'
N. Ramanathan, 'Influence of śāstra on prayoga: the svara system in the post-Sangītaratnākara period with special reference to South Indian music.'
Lewis Rowell, 'The prabandhas in Matanga's Bṛhaddeśī.'
P.L. Sharma, 'Śāstra and prayoga: śāstric tradition and contemporary tāla practice, with special reference to Hindustani music.'
Mukund Lath, 'Taṇḍu: the first theoretician of dance.'
S.S. Janaki, The hand-gesture patāka in nāṭya.'
Mandrakranta Bose, 'Categories of dance: bandha and anibandha.'
Harold Powers, 'Reinterpretations of tradition in Hindustani music: Omkarnath Thakur contra Vishnu Narayan Bhatkhande.'
Richard Widdess, 'Reflections on a medieval melody: theory, practice and notation in early Indian musicological texts.'
N. Ramanathan, 'Influence of śāstra on prayoga: the svara system in the post-Sangītaratnākara period with special reference to South Indian music.'
Lewis Rowell, 'The prabandhas in Matanga's Bṛhaddeśī.'
P.L. Sharma, 'Śāstra and prayoga: śāstric tradition and contemporary tāla practice, with special reference to Hindustani music.'
Mukund Lath, 'Taṇḍu: the first theoretician of dance.'
S.S. Janaki, The hand-gesture patāka in nāṭya.'
Mandrakranta Bose, 'Categories of dance: bandha and anibandha.'
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