Niall W. Slater, Ph.D. (1981), Princeton, is Dobbs Professor of Latin & Greek at Emory University. Previous books include Spectator Politics: Metatheatre and Performance in Aristophanes (2002), Reading Petronius (1990), and Plautus in Performance: The Theatre of the Mind (1985; 2000 (2nd, rev. ed)).
Contributors are: Geoffrey Bakewell, Deborah Beck, Anton Bierl, Aubrey Buster, Ombretta Cesca, John "Jay" Fisher, Margaret Foster, Jasper Gaunt, Naomi Kaloudis, Joanna Kenty, Athena Kirk, Amy Koenig, Claas Lattmann, Elizabeth Minchin, Raymond F. Person, Jr., Ruth Scodel, Tazuko van Berkel, and Andreas Willi.
All interested in the continuing interface between oral traditions and literate transmission in the ancient civilizations of Greece and Rome and their relations with neighboring oral and literate traditions.
"Niall Slater’s edited volume Voice and Voices in Antiquity considers the simultaneously present and absent sonority of the voices of antiquity, and it probes the relationship between orality, vocality, and text. The book emerges during a vibrant moment for voice studies in Classics, and functions as the eleventh installment in the thriving biennial conference series “Orality and Literacy in the Ancient World,” whose first volume/conference tackled the theme “Voice into Text.” Each of the chapters in this volume contains nuanced and sophisticated readings in a wide range of genres, periods, and cultural traditions.(...) Slater’s overview of the individual essays reveals a deep consideration of the multifaceted ways in which this theme can be explored, and his introduction reveals how the individual papers speak to one another across languages, genres, eras, and methodologies." Hannah Silverblank, Bryn Mawr Classical Review, 2017.07.30.
Table of contents
Notes on Contributors
Niall W. Slater
part 1 - Epic Voices
2 Voice and Voices: Homer and the Stewardship of Memory
3 Which Limits for Speech Reporting? Messenger Scenes and Control of Repetition in the Iliad
4 The Voice of the Seer in the Iliad and the Odyssey
5 The Individual Voice in Works and Days
6 Nestor’s Cup and Its Reception
part 2 - Lyric and Dramatic Voices
7 Pindar’s Voice(s): The Epinician Persona Reconsidered
8 Poeta Loquens: Poetic Voices in Pindar’s Paean 6 and Horace’s Odes 4.6
9 Melizein Pathe or the Tonal Dimension in Aeschylus’ Agamemnon: Voice, Song, and Choreia as Leitmotifs and Metatragic Signals for Expressing Suffering
10 Daphnis’ Folksong: The Euphonist’s Effect on the Creation of a Textual Performance
part 3 - From Singing to Narrative Voice
11 Towards a Grammar of Narrative Voice: From Homeric Pragmatics to Hellenistic Stylistics
12 The Voice of Aeschylus in Plato’s Republic
Geoffrey W. Bakewell
13 Character in Narrative Depictions of Composing Oral Epics and Reading Historiographies
Raymond F. Person, Jr.
part 4 - Voices of Prose
14 Written Record and Membership in Persian Period Judah and Classical Athens
Aubrey E. Buster
15 Voiced Mathematics: Orality and Numeracy
Tazuko Angela van Berkel
16 Cicero’s Representation of an Oral Community in De Oratore
17 Becoming Gallic: Orality, Voice and Identity in Roman Gaul
18 λόγος and φωνή in Odyssey 10 and Plutarch’s Gryllus
19 The Fragrance of the Rose: An Image of the Voice in Achilles Tatius