Susanna Burghartz is Professor of History at the University of Basel. She has published on European travel reports during the first globalization, urban society in Renaissance and early modern Switzerland, perception and mediality, gender history, and on the Reformation and confessionalisation periods.
Lucas Burkart is Professor of History at the University of Basel. He has published on various topics including late medieval visual culture, medieval treasury, the culture of collection and science in Baroque Rome, and the history of medieval and Renaissance historiography.
Christine Göttler is Professor of Art History at the University of Bern. She has published extensively on diverse topics ranging from Reformation iconoclasm, post-Tridentine spirituality, and the relationship between art, nature, and the senses to aspects of early modern artists’ materials.
Sites of Mediation presents new research and methodological approaches that will be of interest to scholars in early modern (global) history, history of art, history of science, and in urban studies. It will be of particular interest for scholars working on various aspects of the history of art and material culture in Antwerp, Amsterdam, Basel, London, Rome, and Venice.
Table of contents
Notes on the Editors
Notes on the Contributors
List of Illustrations
Introduction: ‘Sites of Mediation’ in Early Modern Europe and Beyond. A Working Perspective
Susanna Burghartz, Lucas Burkart, and Christine Göttler
I. Staging Encounters
Rome and its Indies: A Global System of Knowledge at the End of the Sixteenth Century
Staging Genoa in Antwerp: The Triumphal Arch of the Genoese Nation for the Blijde Inkomst of Archduke Ernest of Austria into Antwerp, 1594
Setting the Stage for Oneself and Others: Venice and the Levant in the Fifteenth Century
The Queen in the Pawnshop: Shaping Civic Virtues in a Painting for the Palazzo dei Camerlenghi in Venice
Through the Stained-Glass: The Basel Schützenhaus as a Site of Encounter
II. Translation, Transmission, Transformation
The Kux as a Site of Mediation: Economic Practices and Material Desires in the Early Modern German Mining Industry
Mediating between Art and Nature: The Countess of Arundel at Tart Hall
The ‘Hortus Siccus’ as a Focal Point: Knowledge, Environment, and Image in Felix Platter’s and Caspar Bauhin’s Herbaria
Translation, Mobility, and Mediation: The Case of the Codex Mendoza
Collaborative Craftsmanship and Chimeric Creation in Seventeenth-Century Antwerp Art Cabinets
Nadia S. Baadj
III. Fluid Worlds
Hermaphrodites in Basel? Figures of Ambiguity and the Early Modern Physician
Riches of the Sea: Collecting and Consuming Frans Snijders’s Marine Market Paintings in the Southern Netherlands
Negotiating Arctic Waters: John Davis’s The Worldes Hydrographical Discription
Fortunes at Sea: Mediated Goods and Dutch Trade, Circa 1600