Annette Kern-Stähler is Full Professor and Chair of Medieval English Studies at the University of Bern. She is particularly interested in the interrelations between material culture, sense perception and affect and in the uses and transformations of space in late medieval England.
Beatrix Busse, Ph.D. (2004), University of Heidelberg, is Full Professor and Chair of English Linguistics at that university. Her research interests include the history of English and historical linguistics, corpus linguistics, stylistics and language in urban spaces.
Wietse de Boer, Ph.D. (1995), is Professor of History at Miami University (Ohio). His publications are focused on the Italian Counter-Reformation, most recently Space and Conversion in Global Perspective, co-edited with Giuseppe Marcocci, Aliocha Maldavsky and Ilaria Pavan.
All interested in the five senses in medieval and early modern England and in medieval and early modern religiosity, and specialists in the fields of literary and cultural studies, historical linguistics, the history of science, disability studies and sensory studies.
"This new collection demonstrates the real coming of age of sensory studies in medieval and early modern English scholarship. Its penetrating close readings of how English men and women wrote and rewrote the senses — in texts ranging from Old English translations of Boethius and Augustine, to Chaucer, Wyclif, and Milton — showcase the kind of deep discussion that is only really achievable when a field has reached a high level of maturity. From perceptual distortion to disability, to divine and human sight, the tactile theatre, the multi-sensorial afterlife, understanding-as-seeing, and the sensory richness of martyrdom — here we are offered a full banquet of sensory delights to whet our scholarly appetites."
Matthew Milner, McGill University
“This is a sensational book of profound relevance to scholars interested in the cultural history of the senses. The contributors excavate the shifting understandings of and engagement with the five senses in the medieval and early modern period. Through exploring the roles played by the senses in literature, liturgy and theatre, they provide us with many scintillating insights into the social construction of such categories as sin and salvation, illusion and reality, and self and world.”
David Howes, Miami University
Table of contents
Notes on the Editors
Notes on the Contributors
List of Illustrations
Introduction: The Five Senses in Medieval and Early Modern Cultures
Annette Kern-Stähler and Kathrin Scheuchzer
PART ONE: SENSING AND UNDERSTANDING
Sight and Understanding. Visual Imagery as Metaphor in the Old English Boethius and Soliloquies
Coming to Past Senses. Vision, Touch and Their Metaphors in Anglo-Saxon Language and Culture
Javier Enrique Díaz-Vera
PART TWO: VISION AND ITS DISTORTION
Bleary Eyes. Middle English Constructions of Visual Disabilities
Beatrix Busse and Annette Kern-Stähler
Exterior Inspection and Regular Reason. Robert Hooke’s and Margaret Cavendish’s Epistemologies of the Senses
Hierachies of Vision in John Milton’s Paradise Lost
PART THREE: THE PERILOUS SENSES
Strange Perceptions. Sensory Experience in the Old English “Marvels of the East”
The Perils of the Flesh. John Wyclif’s Preaching on the Five Bodily Senses
Sean A. Otto
The Senses and Human Nature in a Political Reading of Paradise Lost
Jens Martin Gurr
PART FOUR: THE MULTISENSUAL
Multisensoriality and the Chaucerian Multisensual
Richard G. Newhauser
‘Eate not, taste not, touch not’. The Five Senses in John Foxe’s Actes and Monuments
PART FIVE: THE THEATRE AS SENSORY EXPERIENCE
Smell in the York Corpus Christi Plays
Rory G. Critten and Annette Kern-Stähler
The Sensory Body in Shakespeare’s Theatres
Afterword: From Gateways to Channels. Reaching towards an Understanding of the Transformative Plasticity of the Senses in the Medieval and Early Modern Periods