In Painting Nature for the Nation: Taki Katei and the Challenges to Sinophile Culture in Meiji Japan, Rosina Buckland offers an account of the career of the painter Taki Katei (1830–1901). Drawing on a large body of previously unpublished paintings, collaborative works and book illustrations by this highly successful, yet neglected, figure, Buckland traces how Katei transformed his art and practice based in modes derived from China in order to fulfil the needs of the modern nation-state at large-scale exhibitions and at the imperial court. She provides a rare examination of the vibrant world of Chinese-inspired culture during the 1880s, and the hostility which it faced in the following decade.
Painting Nature for the Nation
In The Life and Afterlives of Hanabusa Itchō, Miriam Wattles reveals many facets of a forgotten artist of the Edo period. Infamous for being exiled, in later generations he became a symbol for a subtly subversive potential for art.
Alfred Haft (Sainsbury Institute for the Study of Japanese Arts and Cultures)
Aesthetics of the Floating World offers an in-depth account of three aesthetic concepts—mitate, yatsushi, and fūryū—which influenced the way early-modern Japanese popular culture absorbed and responded to this force of cultural tradition. Combining literary, historical, and visual evidence, the ...
Helen Kilpatrick (University of Wollongong)
In Miyazawa Kenji and His Illustrators, Helen Kilpatrick examines re-visionings of the literature of one of Japan’s most celebrated authors, Miyazawa Kenji (1896-1933). The deeply Buddhist Kenji's imaginative dōwa (children’s tales) are among the most frequently illustrated in Japan today. ...
Caroline Hirasawa (Sophia University, Tokyo)
Hell-bent for Heaven in Tateyama mandara treats the history, religious practice, and visual culture that developed around the mountain Tateyama in Toyama prefecture. Caroline Hirasawa traces the formation of institutions to worship kami and Buddhist divinities in the area, examines how two towns ...
Asato Ikeda, University of British Columbia, Aya Louisa McDonald, University of Nevada and Ming Tiampo, Carleton University
Art and War in Japan and its Empire: 1931-1960 features twenty essays that critically study artistic response to the Fifteen-Year War (1931-1945) in Japan, Taiwan, Korea, Manchuria, and China in the wartime and postwar period.
William S. Rodner
The Japanese artist Yoshio Markino enjoyed a successful career in early twentieth century London as an artist and author. This book examines his uniquely Asian perspective on British society and culture at a time when Japan eagerly sought engagement with the West.
Through analysis of sculptural representations of the Medicine Buddha (J: Yakushi Nyorai), this book offers a fresh perspective on the seminal role played by Saichō and the Tendai school in disseminating this devotional cult throughout Japan during the Heian period.
Magnificent art and architecture created for the emperor with the financial support of powerful warlords at the beginning of Japan’s early modern era (1580s-1680s) testify to the continued cultural and ideological significance of the imperial family. Works created in this context are discussed ...
John M. Rosenfield
This volume, the first in Brill’s Japanese Visual Culture series, vividly describes the efforts of the Japanese monk Shunjōbō Chōgen (1121–1206) to restore major buildings and works of art lost in a brutal civil conflict in 1180. Through meticulous study of dedicatory material, Rosenfield is ...
John D. Szostak, University of Hawaii at Manoa
This book explores the practice of Nihonga painter Tsuchida Bakusen (1997-1936), and his professional strategy for developing an independent artistic identity, one that emphasized the central role played by tradition in the invention and expression of a Japanese regional dialect of artistic ...
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