Gesungene Innigkeit: Studien zu einer Musikhandschrift der Devotio moderna (Utrecht, Universiteitsbibliotheek, ms. 16 H 34, olim B 113). Mit einer Edition der Gesaenge
Biographical note
Ulrike Hascher-Burger, Ph.D. (2002) in musicology, University of Utrecht, has studied musicology, codicology and history. She has published on music and manuscripts of the late Middle Ages, especially the Modern Devotion, such as "Zwischen Apokalypse und Hohemlied", Ons Geestelijk Erf 72 (1998), 246-261.
Readership
All those interested in the late Middle Ages, especially the Modern Devotion, the history of music, the history of Church and Liturgy as well as the history of literature and the history of books.
Reviews
'...Hascher-Burger has made several important contribution in this study...She has done generous amounts of meticulous research and has constructed an impressive interdisciplinary picture of the uses of music by followers of the modern devotion movement. She has also made available important, previously neglected songs of a type which seems to have been widespread among followers of the modern devotion. More generally, her study informs us that music was an important part of the everyday life of the movement.'
Tanya Kevorkian, Sixteenth Century Journal, 2005.
'This impressive work is the publication of a doctoral dissertation on a manuscript of hymnal music in the Neterlands from around 1500...Yet, her study proves remarkably interesting beyond her own discipline. It will be of benefit to theologians and church historians, especially to those with an interest in medieval liturgy and spirituality. It is a very fine, comprehensive, and readable study. It includes an index, a bibliography, and a brief summary in English.'
Gesa Elsbeth Thiessen, Theological Studies, 2004.
Tanya Kevorkian, Sixteenth Century Journal, 2005.
'This impressive work is the publication of a doctoral dissertation on a manuscript of hymnal music in the Neterlands from around 1500...Yet, her study proves remarkably interesting beyond her own discipline. It will be of benefit to theologians and church historians, especially to those with an interest in medieval liturgy and spirituality. It is a very fine, comprehensive, and readable study. It includes an index, a bibliography, and a brief summary in English.'
Gesa Elsbeth Thiessen, Theological Studies, 2004.
Table of contents
Vorwort
TEIL I
Einleitung
I. Zu Aufbau, Datierung und Lokalisierung der Handschrift
II. Die Notationen der Handschrift
III. Aspekte der Funktion
IV. Von liturgischer zu paraliturgischer Aufzeichnung: Übergangsformen bei den einstimmigen Gesängen
V. Aspekte der mehrstimmigen Musik
TEIL II
Editionsprinzipien
Edition
ANHANG
Gesänge in alphabetischer Folge mit einer Quellenübersicht
Gesänge in der Anordnung der Handschrift
In der Darstellung aufgeführte Gesänge
Verzeichnis der Handschriften und alten Drucke
Ortsregister
Namensregister
Sachregister
Abkürzungen
Literaturverzeichnis
Zusammenfassung
Summary
TEIL I
Einleitung
I. Zu Aufbau, Datierung und Lokalisierung der Handschrift
II. Die Notationen der Handschrift
III. Aspekte der Funktion
IV. Von liturgischer zu paraliturgischer Aufzeichnung: Übergangsformen bei den einstimmigen Gesängen
V. Aspekte der mehrstimmigen Musik
TEIL II
Editionsprinzipien
Edition
ANHANG
Gesänge in alphabetischer Folge mit einer Quellenübersicht
Gesänge in der Anordnung der Handschrift
In der Darstellung aufgeführte Gesänge
Verzeichnis der Handschriften und alten Drucke
Ortsregister
Namensregister
Sachregister
Abkürzungen
Literaturverzeichnis
Zusammenfassung
Summary
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