Through intensive surveys of three fortifications in late Roman Greece, Frey reveals the untapped potential of spolia in demonstrating the critical role played by non-elites in bringing about the architectural and social changes that mark the end of classical antiquity.
Edited by Andrew Faulkner, University of Waterloo and Owen Hodkinson, University of Leeds
Hymnic Narrative and the Narratology of Greek Hymns examines the forms and functions of narratives in Ancient Greek hymns, in the contexts of the hymn genre and the development of ancient Greek narrative literature.
Edward M. Anson, University of Arkansas at Little Rock
Eumenes of Cardia: A Greek Among Macedonians (2nd edition) updates the original work in light of a decade of scholarly activity and presents much new analysis influenced by this continuing scholarship on this particular Successor of Alexander the Great.
Processes of Cultural Change and Integration in the Roman World is a collection of studies on the mechanisms by which interaction occurred between Rome and the peoples that became part of its Empire between c. 300 BC and AD 300.
Queens, Consorts, Concubines offers an analysis of Gregory of Tours on issues including widowhood, marriage, sanctity, and political agency, offering a reinterpretation of elite women in Gaul (e.g. Brunhild, Fredegund, Radegund), related subjects (e.g. Merovingian marital policy), and Late...
Studies in Colluthus’ Abduction of Helen situates this author within his cultural context of the Egyptian Thebaid of the late fifth century AD and provides a new appraisal of his work employing current interpretative perspectives.
In Proba the Prophet: The Christian Virgilian Cento of Faltonia Betitia Proba Sigrid Schottenius Cullhed deepens the critical understanding of the Cento by the Roman fourth century poet Proba and its reception from Late Antiquity until the twenty-first century.
Emotion in Action offers a new approach to the tragic chorus by focusing on the performance of collective emotion. Eirene Visvardi redefines choral action, analyzes choruses that enact fear and pity, and juxtaposes them to the Athenian dêmos in Thucydides.