The Crescent on the Temple
The Dome of the Rock as Image of the Ancient Jewish Sanctuary
Biographical note
Pamela Berger, Ph.D. (1974), Institute of Fine Arts, New York University, is a Professor of Art History and Film at Boston College. Her articles and books, including The Goddess Obscured (Beacon Press, 1984), focus on iconographic interpretation.
Readership
All readers interested in the artistic, religious and intellectual history of the Jewish, Christian and Muslim worlds, especially those drawn to iconographic interpretation.
€164.00$228.00
Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque examines the iconographic inventions in Magdalene imagery and the contextual factors that shaped her representation in visual art from the fourteenth to the seventeenth centuries.
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Repeatedly Shakespeare dramatizes one who prays when no one is listening, interested, or even there. This study reads the scenario parallel to early modern anxieties surrounding prayer itself, suggesting a vision of religious syncretism Shakespeare imagines for his world.
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Essentially interdisciplinary, this innovative collection of essays - religious case-histories of many kinds from three eras, - explores in depth the dynamic interaction of sacred text and sacred space, forming and reforming through time, to shape and voice one another.
€197.00$255.00
Taking an interdisciplinary approach and based on yet-unexplored sources, this book offers a new synthesis of the theory and works of the Dutch monk and architect Dom Hans van der Laan from the perspective of the interrelationship between liturgy and architecture.
€160.00$207.00
This collection of essays, narratives, and philosophical reflections on the interreligious imagination explores key historical and contemporary movements of cross-fertilization among our major spiritual traditions – Hinduism, Buddhism, Judaism, Christianity and Islam – as expressed in art, ...
€115.00$149.00
This book analyses the most important depictions in film of Jesus, Rama, Buddha and Muhammad and the religious and cultural background to portraying individuals who disclose the divine. It also addresses the reactions of religious leaders to these films.
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