Art and War in Japan and its Empire: 1931-1960
Asato Ikeda, University of British Columbia, Aya Louisa McDonald, University of Nevada and Ming Tiampo, Carleton University
Biographical note
Asato Ikeda received her PhD from the University of British Columbia in 2012 and she is a lecturer at the University of Victoria and the recipient of the 2012 Anne van Biema Fellowship at the Freer | Sackler Galleries of the Smithsonian Institution. Ikeda is currently writing a monograph that investigates Japanese wartime paintings through the framework of fascism.
Aya Louisa McDonald is Associate Professor of Art History at the University of Nevada, Las Vegas. The author of Les Trente-six Vues de la Tour Eiffel, she is completing a study of Fujita Tsuguharu.
Ming Tiampo is Associate Professor of Art History at Carleton University. She is the author of Gutai: Decentering Modernism. She is currently co-curating a Gutai exhibition for the Guggenheim Museum in New York City.
Aya Louisa McDonald is Associate Professor of Art History at the University of Nevada, Las Vegas. The author of Les Trente-six Vues de la Tour Eiffel, she is completing a study of Fujita Tsuguharu.
Ming Tiampo is Associate Professor of Art History at Carleton University. She is the author of Gutai: Decentering Modernism. She is currently co-curating a Gutai exhibition for the Guggenheim Museum in New York City.
Readership
All interested in Japanese and Asian modern art, war art, and the history of war and colonialism in Asia.
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Alfred Haft (Sainsbury Institute for the Study of Japanese Arts and Cultures)
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Helen Kilpatrick (University of Wollongong)
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Caroline Hirasawa (Sophia University, Tokyo)
Hell-bent for Heaven in Tateyama mandara treats the history, religious practice, and visual culture that developed around the mountain Tateyama in Toyama prefecture.
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William S. Rodner
The Japanese artist Yoshio Markino enjoyed a successful career in early twentieth century London as an artist and author. This book examines his uniquely Asian perspective on British society and culture at a time when Japan eagerly sought engagement with the West.
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Magnificent art and architecture created for the emperor with the financial support of powerful warlords at the beginning of Japan’s early modern era (1580s-1680s) testify to the continued cultural and ideological significance of the imperial family. Works created in this context are discussed ...
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John M. Rosenfield
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